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I finally learned why my digital paintings looked so flat after 3 years

I was watching a tutorial by Loish last week and she mentioned using a color wheel overlay to check your values, which I never did. Turns out my contrast was way too low on most pieces because I was picking colors by eye instead of actually checking the numbers. Has anyone else had a basic technique like that totally change their workflow?
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3 Comments
logan236
logan23627d ago
That reminds me of when I tried to learn how to mix colors in acrylics a few years back. I kept wondering why my greens looked so dead and then someone told me I was using too much white instead of yellow to lighten them. Seems like we all have that one thing that holds us back until someone points it out.
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robinson.hannah
robinson.hannah7d agoMost Upvoted
Yeah I actually read something about this somewhere, how using white to lighten anything just makes it look pasty and dead. The article said yellow or even a lighter version of the color itself is way better for keeping the vibrancy going. It's like with skin tones too - I tried mixing a pale peach once and it turned out looking like a corpse until I swapped the white for a tiny bit of warm yellow. I guess the whole thing is that white kind of kills the saturation, so you end up with this chalky mess that has no life to it. Really changed how I think about mixing now, just that one tip.
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kim.zara
kim.zara27d ago
Ditch the color wheel and go with gut feeling instead. I've been painting for years and never touched a color wheel overlay, my stuff still looks solid because I rely on my eyes and what feels right. Sometimes overthinking the technical side just kills the natural flow of your art.
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